Cultural Expressions

 

 

B.R.I.M.M.

by Nataki Alexander-Hewling

Much like past photographers such as J.P. Ball, Florestine Perrault Collins, and James VanDerZee, I specialize in crafting authentic visual narratives that refl ect the full spectrum of the Black experience, including style and culture. In the 19th century, as photography emerged, Black photographers actively sought to challenge negative stereotypical narratives by showcasing sophistication and achievement within their communities. Today, harmful stereotypes about Black people remain prevalent, and images emphasizing community peril often dominate major magazine covers. In 2026, there is still a vital need to counter these images with positive, uplifting stories that foster connection and cultural understanding through shared interests. The hat in my opinion is a rich cultural symbol that signifi es identity, empowerment, dignity, and resistance. It has been said that the Kufi (hat) is a sign of heritage/wisdom, the Black Panther beret symbolizes revolution, Dandyism's fedoras/top hats are for uplifting, and the Stagger Lee Stetson represents manhood and freedom against oppression, all deeply rooted in African traditions and American history, serving as more than fashion—they're statements of self-worth and cultural pride. In photographing men with hats I had the opportunity to discuss what wearing a hat meant to them and from what I gather from these discussions, for many Black men, the hat is “Armor against invisibility." I also noticed a distinct sense of confi dence in how Black men wear hats; there's a certain "hattitude" that suggests both personal style and an upright posture. This cool, self-assured way of wearing a hat seems to symbolize resilience and a triumphant spirit. The men I photographed embody a blend of style and substance, wearing many different "hats" both literally and fi guratively. They exhibit a unique coolness while also showcasing a rich diversity of roles, interests, and personalities, each adding a layer to their individual character and collective story. They are sons, fathers, brothers, husbands, cowboys, fashion designers, government employees, construction workers, self-made men, to name a few. But they all shared one thing in common. They are Black men who are often seen as a single, undifferentiated group rather than individuals with diverse experiences.
But they are Brave, Resilient, Innovative, Multi-faceted Men.

 

Nataki Alexander-Hewling has been working as a Photo Professional for over 20 years providing visual solutions for a diverse clientele. She is also the Founder of HERShot, a grant funded girls photography program based on Staten Island, NY and is currently in partnership with KenyaConnect working with a group of girls in Kenya.. She has worked for top publishing houses including Scholastic Inc., TIME Inc., Meredith and currently Future Publishing as a Photo Editor and Researcher. While at TIME for Kids magazine, Nataki photographed notables such as Newbery Medal winner Kwame Alexander, Author Chelsea Clinton, Pharrell Williams, and many more. Her work can be found inside the print and web editions of TIME for Kids magazine, NY Daily News, The Staten Island Advance, City and State, and more. Her mixed media collage (Photography and Textile) was on exhibition at The Staten Island Museum as well as the work of the participants in her photography collective. Her visual story “Saved by Grace,” was featured in the Photoville Exchange.. Nataki is currently enrolled in the African American Studies Graduate Program at Morgan State University.